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New Books and Records
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Record Store Day Black Friday New Releases

Here is a sampling of some of the RSD releases we will be bringing in on Friday, we will add to this more arrive so check back. These titles are available in-store only until Saturday Nov 24th.

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New Release: Greta Van Fleet – Anthem of the Peaceful Army

Much hyped new release from neo classic rockers Greta Van Fleet getting panned or praised depending where you read.

Pitchfork:
Though their debut album, Anthem of the Peaceful Army, sounds like a bona fide classic rock record—with its fuzzy bass, electric sitar solos, and lyrics featuring the kind of self-actualized transcendence brought on by a few too many multivitamins—it is not actually classic rock. They are a new kind of vampiric band who’s there to catch the runoff of original classic rock using streaming services’ data-driven business model. Greta Van Fleet exist to be swallowed into the algorithm’s churn and rack up plays, of which they already have hundreds of millions. They make music that sounds exactly like Led Zeppelin and demand very little other than forgetting how good Led Zeppelin often were.

read full review here

Rolling Stone:
It’s one part Bo Diddley, two parts Motley Crue, and if it fails to be more than the sum of its “woo!”s, it’s still effective, and gets bonus points for the remix with Kesha, who remains the ruling classic rock retro-fetishist, even if she came to role sideways. At least the boys knew enough to put her on a throne in the video.

read full review here

Have a listen. We’ll have copies in store this weekend.

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New Release: Interpol, ‘Marauder’

Interpol’s debut album, Turn On the Bright Lights, is one of those mysteriously great albums that landed in precisely the right place at the right time: early-2000s New York City.

Rock was on the ascent. The band had been gigging and amassing hype since 1997. CBGB was still a club and not yet a branding exercise appropriated by Target. The city was affordable for bands: Hypergentrification had not yet rendered Manhattan a playground for bankers and real estate vultures.

And then the towers fell. Recorded just two months after the World Trade Center attacks—and released in 2002—Bright Lights’ moody urgency immediately caught the ear of critics eager for a new rock authenticity in the age of turgid nü-metal. “I felt a magic when we were writing the record,” frontman Paul Banks says. “Whatever that thing is, I think we had it.”

That magic resided somewhere between Banks’s melancholy baritone and the band’s knack for swooning post-punk hooks, and it helped make Interpol into dapper-dressed icons of the city’s post-9/11 rock rebirth. Turn On the Bright Lights became a critical touchstone, and Interpol an influence on bands like the Killers and the xx.

continue newsweek review..